Before kicking off the first live shooting demonstration of the course Alex gives us his take on still versus cine lenses and when and why he likes to choose one over the other. He finishes up the module by demystifying camera compression and colour space.

Using the SNL short "Rosetta Stone" as an example, Alex gives a step-by-step walkthrough of how to shoot a typical commercial featuring flattering high-key lighting, including how to use a hazer to subtly add contrast to any scene.

Finally we look at a 4K workflow when shooting on the Canon C500, as Alex uses inexpensive DIY lighting techniques to achieve the same luxurious effect captured in the SNL short "Red Flag".

In this episode Alex demonstrates how to best use a gimbal stabiliser and ensure you're using the footage to contribute to your narrative. Using both single and dual operator modes he gives a demonstration, showcasing how his team became the first to use such a device for broadcast television.

In the opening episode Alex gives us an overview of his career before diving into workflow best-practices and how the filmmaking process is managed for the incredibly tight deadlines on Saturday Night Live. He then moves on to cover location scouting with a few hard-earned tips on how to find the best locations and times to shoot.

Alex delves into his experiences using DSLR and small footprint cameras for broadcast TV. He begins by giving an overview of the transition from film stock to today's digital cinema cameras, including how he shot the 2009 SNL title sequence using only available light on a Canon DSLR. He then goes on to discuss camera sensor size and how it affects performance, before covering gear recommendations based on his extensive experience shooting on tight...